In the early 1960's, a Sicilian single mother marries an older, crass widowed truck driver. When he is arrested trying to smuggle an antique, she ends up falling in love with her handsome stepson.
A member of Parliament (Irons) falls passionately in love with his son's fiancée. They pursue their affair with obsessive abandon despite the dangers of discovery and what it would do to his complacent life and his son.
Max Baron (James Spader) is a 27-year-old high flying advertising executive still recovering from the death of his wife. One night he is in a bar when he meets Nora Baker (Susan Sarandon) a 43-year-old waitress with a fixation on Marilyn Monroe.
While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife's recent suicide. Instantly drawn to each other, they have a stormy, passionate affair.
Malmö, Sweden, 1943. A highschool class of boys is discovering the mysteries of body changes and all-consuming effects puberty has one young teenage men. Outside the classroom World War II threatens and inside the classroom puberty threatens. 15 year old Stig (Johan Widerberg) is a handsome, curious lad from a poor family who discovers his first female attraction in the form of his new 37 year old teacher Viola (Marika Lagercrantz), who, despite the impropriety of the situation added to the fact that she is married to a traveling salesman Kjell (Tomas von Brömssen) who spends his idle hours drinking and listening to classical music in the kitchen, returns the seductive dance and soon the two are in a physically involved affair. The beauty and fresh novelty of their feelings is captured in the most magical way with little dialog, many embarrassed glances, and significant risks that eventually include Kjell's discovery of their trysts. But as the two are discovered many changes occur: Stig's beloved soldier brother Sigge (Björn Kjellman) finally goes off to submarine warfare, Viola becomes less involved and senses the problem she has created, Stig falls under the spell of the tragic Kjell learning music and more from this pathetic man, and Stig finally must face the realities of more proper attraction to Lisbet (Karin Huldt) a girl his own age.
I touches you, moves you and the imagery and music is fantastic. even though it could be perceived as risqué in America, Europe raises no eyebrows of the imagery or hinted developments. The eyebrows are raised by the deeper thread and cross-human references. Who has not been attracted to someone they shouldn't - an authority. And what has this brought along with it? Will the authority fall or will your image and strength of life expand building upon newer degrees of intensity?
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Title...........................................All Things Fair
A Sexo maniac lady planned to have sex with all the family member of her husband's house including his sister, father even with his grandfather to fulfilll her ultimate desire. Accordingly she proceeds and find her liason completly pleasurealble. It's a japanese harcore porn that doesn't show any organ literally but with obscure image. Hope You will be enjoying this movie.
The STORY: An office worker (Takashi Ichinose played by Naohiro Hirakawa) has the dream life. He meets two beautiful ladies at a party, both of whom seem interested in him. He ends up leaving with Sakura (played by buxom Reiko Yamaguchi). One wild night of passion followed by six months and they find themselves married and living with Takashi's family (father, grandfather, sister) in the same apartment.
The ideal situation soon takes a turn for the worse as Sakura's nymphomaniac sex drive coupled with the paper thin walls of Japanese housing, and the eventual inability of newly wed husband Takashi to keep (it) up with his wife leads to tension, drama, and of course, lots of sex in the household. All of the in-laws get in on the act. Takashi eventually runs into the lady he left behind at the party and they have a sensual fling. But he goes back to his fate, looking for a divorce. In the final scene, his family practically gang rapes him as he is forced to 'enjoy' his family's newfound lust for life.
REVIEW: Wow, where to begin. They sure can pack a lot of sex in an hour. This pinku is pretty much all about the sex. No weird torture or psycho drama. It's pretty straightforward. The sex scenes are largely played for laughs with the exception of the first one between the two main leads, and the forbidden tryst between Takashi and the jilted Ryoko - that one probably has the most passion of them all. The actresses playing Ryoko and Sakura are very attractive. The sister didn't really do much for me. It was a little unsettling to watch grandpa getting it on with Sakura but it's easily overlooked once Sakura takes her top off.
It's a fun movie, played mostly tongue in cheek (and in other parts) and as an entertaining, light, and very sexy romp, I'd have to give it 8/10.
P.S. there's a 'sequel' to this film where the director shows what would have happened had the hero chosen the other lady. Interesting idea!
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Title...........................................The Japanese Wife Next Door
Randy Bodek works as a pizza delivery boy at Senor Pizza to make a few extra bucks. Some customers are special, though: When the order is for a pizza with extra anchovies, it means the female customers are looking for some loving. "Loverboy's" reputation soon makes him very popular, but when Mom Bodek suddenly feels like some extra anchovies, things are looking grim for young Randy.
The love doctor of Beverly Hills
This was one of three romance comedies (along with In The Mood and Can't Buy Me Love) that Patrick Dempsey starred in around '87 and '88 about a young guy who knows who he wants to be with, he just can't seem to figure it out at first.
Loverboy, actually, is a plot very similar to In The Mood because it deals with a young man "wooing" older women and eventually, they teach him something about love that he will help appreciate a young girlfriend, when he finds one.
Loverboy concerns the story of hot shot Randy Bodek (Dempsey). Things aren't going well. His girlfriend, Jenny (Nancy Valen), thinks he's ashamed of her because he won't tell his parents that he's living with her. But Randy doesn't want to bring up live-in girlfriends to his folks yet because they're about to be baffled by a near flunking report card. So needless to say, Randy is on the brink with both his girlfriend and his parents. His dad refuses to pay Randy's tuition for the next semester, so, as Randy says, "I'm going to start me real life, how hard can that be?" But Randy is in for a rude awakening.
What started out as a pizza delivery job at Senor Pizza turns into Randy's goal to earn enough cash to get back into school and patch things up with Jenny. Things aren't so simple once Randy meets Alex Barnett (Barbara Carerra) an elegant, but mysterious woman who Randy spends some time with. Randy Bodek suddenly becomes "the love doctor of Beverly Hills" (according to his goofy friend, Sal) because now he is being personally called on to deliver anchovi pizzas (the codeword) to the rich, lonely housewives. It seems quite shallow, but Randy's agenda hardly ever includes sleeping with the women. They just want a guy to spend time with them and get some affection from when their work-a-holic or cheating husbands have neglected them. Randy gets an unusual education in, pardon the cliche, what women want.
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Arthur Bishop (Jason Statham) is a 'mechanic' - an elite assassin with a strict code and unique talent for cleanly eliminating targets. It's a job that requires professional perfection and total detachment, and Bishop is the best in the business. But when his mentor and close friend Harry (Donald Sutherland) is murdered, Bishop is anything but detached. His next assignment is self-imposed - he wants those responsible dead. His mission grows complicated when Harry's son Steve (Ben Foster) approaches him with the same vengeful goal and a determination to learn Bishop's trade. Bishop has always acted alone but he can't turn his back on Harry's son. A methodical hit man takes an impulsive student deep into his world and a deadly partnership is born. But while in pursuit of their ultimate mark, deceptions threaten to surface and those hired to fix problems become problems themselves.
The one thing the film falls victim to is the shaky camera during fight and chase scenes. It works most of the time and isn't hard to follow, but there were two scenes involving Jason Statham's character where it was hard to distinguish everything that was being shown because of this technique. It's just when two guys are in a scuffle and they're throwing fists or hurling their legs at their opponent, the camera whipping back and forth at the same time doesn't really help matters. Now some guy's dead, another falls to the ground after we hear a snap, and another is clutching his stomach even though we only saw the main character move twice. The technique gets confusing and either needs to be modified somehow or dropped altogether for something new.
The Mechanic is actually really entertaining and is very much the definition of a guy film. It's packed to the brim with explosions, bloody headshots, broken limbs, and even a hefty and destructive car chase sequence. The film is worth seeing for Ben Foster's performance, but it's nice to see Jason Statham in a film that isn't disappointing for once. Overall, The Mechanic is dark, gritty, bloody, and just a hell of a lot of fun.
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